anna gorichenko
Hello,
I’m Anna, a senior brand designer working across cultural institutions, luxury fashion, and global brand environments. My work focuses on visual identities and communication systems that extend across exhibitions, printed matter, and spatial brand experiences.
In 2015, I graduated with a Master’s degree, with distinction, from KASK Royal Academy of Fine Arts in Ghent, Belgium, where I studied visual arts and graphic design.
In 2018, I moved to Milan to join the Prada Group as a brand and graphic designer. My work spanned Fondazione Prada and Prada Rong Zhai, as well as Prada, Miu Miu, Church’s, Car Shoe, and Marchesi 1824 – operating between museum exhibitions and the broader ecosystem of luxury communication.
In 2022, I relocated to Zurich to join On as Senior Experiential Brand Designer, contributing to the development of retail and spatial brand systems within a rapidly expanding international context.
Much of my work sits at the intersection of culture, brand, and spatial communication. I am particularly interested in how visual systems carry meaning across different contexts — from exhibitions and printed matter to everyday brand experiences.
I’m Anna, a senior brand designer working across cultural institutions, luxury fashion, and global brand environments. My work focuses on visual identities and communication systems that extend across exhibitions, printed matter, and spatial brand experiences.
In 2015, I graduated with a Master’s degree, with distinction, from KASK Royal Academy of Fine Arts in Ghent, Belgium, where I studied visual arts and graphic design.
In 2018, I moved to Milan to join the Prada Group as a brand and graphic designer. My work spanned Fondazione Prada and Prada Rong Zhai, as well as Prada, Miu Miu, Church’s, Car Shoe, and Marchesi 1824 – operating between museum exhibitions and the broader ecosystem of luxury communication.
In 2022, I relocated to Zurich to join On as Senior Experiential Brand Designer, contributing to the development of retail and spatial brand systems within a rapidly expanding international context.
Much of my work sits at the intersection of culture, brand, and spatial communication. I am particularly interested in how visual systems carry meaning across different contexts — from exhibitions and printed matter to everyday brand experiences.